The Good Feeling (Mack Avenue)
Christian McBride Big Band
Released September 27, 2011
Grammy Award for Best Large Jazz Ensemble Album 2012
YouTube:
https://music.youtube.com/watch?v=oQ93lI0LNuM&list=OLAK5uy_mTrFbqwj2ZANhBGfeNUmaHNSmmyJlN1Xg
Spotify:
https://open.spotify.com/album/6nt8iIlpgx57qDciFEqCJm?si=uKHncFCvRvOZuKjZERwGTQ
About:
A world-renowned jazz bassist who attended Julliard and played alongside top-shelf artists (Roy Hargrove, Freddie Hubbard, McCoy Tyner, George Duke, Chick Corea, etc.) before releasing albums under his own name in the mid-‘90s, Christian McBride is one of the biggest stars in modern jazz. Into the new millennium, he fronted his own group, The Christian McBride Band, and collaborated with everybody from Sting and John McGlaughlin to ?uestlove and Queen Latifah.
On Good Feeling, he assembles a straight-up big band for an 11-song set that’s about half standards (“I Should Care,” “Broadway”) and half original pieces (“Bluesin’ in Alphabet City,” “The Shade of the Cedar Tree”). He’s backed by a crackshot horn section that includes trumpet players Freddie Hendricks and Nicholas Payton, as well as Ron Blake on reeds and trombonist Steve Davis. They come together to create a sound that pays homage to the old school while bringing something new to the table. It’s an album that truly lives up to its name. Don’t miss “Brother Mister” and the high-octane closer, “In a Hurry.”
Track Listing:
1. Shake ‘N Blake (Christian McBride) 7:21
2. Broadway (Bill Bird / Teddy McRae / Henri Woode) 4:05
3. Brother Mister (Christian McBride) 4:53
4. When I Fall In Love (Edward Heyman / Victor Young) 5:17
5. Science Fiction (Christian McBride) 11:46
6. The Shade of the Cedar Tree (Christian McBride) 8:17
7. The More I See You (Mack Gordon / Harry Warren) 3:49
8. I Should Care (Sammy Cahn / Axel Stordahl / Paul Weston) 5:45
9. A Taste of Honey (Ric Marlow / Bobby Scott) 3:28
10. Bluesin’ In Alphabet City (Christian McBride) 8:45
11. In a Hurry (Christian McBride) 7:01
Personnel:
Christian McBride: bass
Steve Wilson: alto sax, flute
Todd Bashore: alto sax, flute
Ron Blake: tenor sax, soprano sax, flute;
Todd Williams: tenor sax, flute
Loren Schoenberg: tenor sax (2, 8)
Carl Maraghi: baritone sax, bass clarinet
Frank Greene: trumpet
Freddie Hendrix: trumpet
Nicholas Payton: trumpet
Nabate Isles: trumpet
Steve Davis: trombone
Michael Dease: trombone
James Burton: trombone
Douglas Purviance: bass trombone
Xavier Davis: piano
Ulysses Owens, Jr.: drums
Melissa Walker: vocals (4, 7, 9)
Recorded 2011, at Avatar Studios (Studio A) City/State: New York, NY
Produced by Christian McBride
Recorded and mixed by Joe Ferla.
Assistant Engineer: Rick Kwan
Mastered by Mark Wilder
Review:
In today’s jazz world, with most artists working clubs in small combos, there may be something a little retro about a big band recording. However, there are always musicians that are up for the challenge of arranging and recording for larger groups despite the logistics involved.
Enter Christian McBride, one of the most accomplished and in-demand bassists on the scene. He has also done his share of arranging for big bands as well, so he’s not new to the field. However, The Good Feeling(2011) is his first full-fledged foray into leading a big band of his own. Some of the songs are standards, but most are McBride compositions reconfigured for the larger group. It’s an energetic, lively recording that features a very modern sound—there isn’t much that recalls the bygone days of the ’40s big band heyday.
Although the The Good Feeling is a studio recording, McBride structures it very much like a concert. The opener, “Shake ‘N’ Bake” serves as an introduction to the band, all brassy swagger and punchy riffs with solos from the band. A more subdued “Broadway” follows, which then segues into the original “Brother Mister,” a modern, funky tune that displays the type of big band writing going on by many today.
Throughout the recording are a few songs with vocals by Melissa Walker. She’s a fine vocalist and the three numbers that feature her are balanced between nuanced singing and colorful charts. “A Taste of Honey” is given an opening riff that recalls John Coltrane’s “My Favorite Things” which gives the song a lot more power than one might expect. “When I Fall In Love” is a delicate ballad done perfectly.
Right in the middle is “Science Fiction,” an eleven-minute plus tone poem of sorts. It’s a fascinating work that cruises through several captivating movements, from the atonal to the forceful. On this song, McBride is making a persuasive argument for how the big band can be used in a modern setting to create forward thinking compositions. The playing all around is superb, as can be expected from a guy who likely had the pick of the litter when it came to choosing sidemen. Freddie Hendrix lays down some searing trumpet solos. Longtime associates Steve Wilson and Ron Blake on saxophones and Steve Davis on trombone also contribute good work on the stand. McBride too takes some accomplished solos, even pulling out the bow on “In A Hurry.”
McBride isn’t one to settle into patterns; he’s always up for trying new things. Most likely his next recording won’t be with a big band, but with any luck The Good Feeling won’t be his last.
David Rickert (AllAboutJazz)
