Sister Cities (PJCE)
The Ocular Concern
Released January 15, 2014
AllMusic Favorite Jazz Albums 2014
YouTube:
https://music.youtube.com/playlist?list=OLAK5uy_nye_gPP6G1L37VJ0Ql4kieM_5_ug1htuo
Spotify:
https://open.spotify.com/album/7Bn4knAgOu4OSUqhDSij6F?si=eO1JxAsrQfC1P66v_P8zOA
About:
Portland-based quintet The Ocular Concern presents a new album of contemporary music composed by co-leaders Dan Duval and Andrew Oliver. The album’s centerpiece is a four-movement suite for the quintet plus string trio and bandoneon inspired by the globalized world of the 21st century and based on the names of Portland’s sister cities worldwide. The album features the group’s wide ranging stylistic aesthetic, tied together by an emphasis on strong interlocking grooves, catchy melodies, and intuitive group interplay.
The four-movement suite adds violin, viola, cello and bandoneon, the traditional Argentine tango accordion to the existing instrumentation of Lee Elderton on clarinet, Andrew Oliver on electric piano, Dan Duval on electric guitar, Nathan Beck on vibes and mbira (Zimbabwean thumb piano), and Stephen Pancerev on drums. Though the instrumentation at first glance may seem intentionally bizarre, the nonet blends diverse timbres and styles into a soundscape perfectly suited to Duval and Oliver’s wide reaching compositional aesthetic. The suite opens with “Sister Cities,” a gospel-tinged tune leading to “Portland in Reverse,” featuring the strings in a reflective chamber mood before the introduciton of a Senegalese-inspired beat. “Ghost Town City Council” brings in a western twang and creepy atonal use of the mbira before resolving into the “Island Milonga” with a catchy tango feel to round it out.
The other tracks in the album feature the quintet exploring a variety of grooves from the contemporary odd meters of “The Ocular Concern” and “The Eclectic Piano” to a more Zimbabwean-styled trancey beat of “Lafayette” and the serene, chorale-like “William S. Burroughs, LET’S GO!” Throughout, Stephen Pancerev’s intuitive drumming and the interlocking blend of guitar, keyboard, and vibes lays a strong framework for strong and catchy melodic statments, minimalist textures, and Lee Elderton’s spontaneous and brilliant clarinet improvisations.
Track Listing:
1. Oxygen Lake (Dan Duval / Andrew Oliver) 03:47
2. Sister Cities Suite: Sister Cities (Dan Duval) 06:35
3. Sister Cities Suite: Portland in Reverse (Andrew Oliver) 06:08
4. Sister Cities Suite: Ghost Town City Council (Dan Duval) 07:09
5. Sister Cities Suite: The Island Milonga (Andrew Oliver) 05:10
6. The Ocular Concern (Dan Duval) 05:53
7. Lafayette (Andrew Oliver) 04:20
8. The Eclectic Piano (Dan Duval / Andrew Oliver) 06:26
9. William S. Burroughs, Let’s Go! (Dan Duval) 05:09
Personnel:
Dan Duval: electric guitar, toy piano
Andrew Oliver: electric piano, percussion
Stephen Pancerev: drums
Lee Elderton: clarinet
Nathan Beck: vibraphone, mbira (4, 8)
With
Erin Furbee: violin (2-5)
Brian Quincey: viola (2-5)
Justin Kagan: cello (2-5)
Alex Krebs: bandoneon (2-5)
Recorded June 14, 16, 17, and August 12 at Map Room Studio in Portland, OR by Josh Powell
Mixed by Bob Stark
Mastered by Timothy Stollenwerk
Art by Tinylittlehammers
Review:
Portland, Oregon creative jazz quintet the Ocular Concern are all over the map on 2013’s Sister Cities, although not precisely where you might expect them to be. The album’s centerpiece is the four-part “Sister Cities Suite,” whose title references Portland’s ten sister cities scattered across the globe. But rather than exploring the musical traditions of Portland’s sisters from Sapporo, Japan to Bologna, Italy to Guadalajara, Mexico, the suite avoids stylistic references linked to geography — for the most part — with a creative chamber jazz score in which musical notes correspond to letters in the cities’ names. The Ocular Concern even tweak expectations further by incorporating tango rhythms and an appearance by bandoneonist Alex Krebs in the suite’s fourth movement, “The Island Milonga,” seeming to suggest that Portland has a sister city in Argentina (it doesn’t). Co-led by electric guitarist Dan Duval and electric pianist Andrew Oliver, the quintet also features Nathan Beck on vibes and, on two tracks, mbira (African thumb piano and national instrument of Zimbabwe, where Portland does have a sister city, Mutare); Lee Elderton on clarinet; and drummer Stephen Pancerev; and on “Sister Cities Suite” the group is joined by aforementioned bandoneonist Krebs and a string trio (violinist Erin Furbee, violist Brian Quincey, and cellist Justin Kagan). When these skilled musicians of varied backgrounds and disciplines tackle Sister Cities’ compositions — all of which were penned by Duval and/or Oliver — the results are both wide-ranging and singular.
With contrapuntal layering of the various instruments and repetitive phrasing perched at the intersection of insistent rhythm, engaging melody, and advanced harmonics, not to mention the group’s prominent clarinet and vibes, the Ocular Concern’s blend of creative jazz and post-minimalism invites comparison to John Hollenbeck’s Claudia Quintet — with some important distinctions. Notably, this band has no bassist, and with keyboardist Oliver covering the low notes, the Ocular Concern possess a fusiony edge that balances the ensemble’s chamber jazz qualities. Guitarist Duval is a perfect foil for both Oliver and Beck, often understated in his voicings (or hypnotically looping during opener “Oxygen Lake”), but also exploding from deep twang into a sudden rampage of huge dirty chords (“Sister Cities Suite: Ghost Town City Council”). And while Beck’s vibes provide ringing clarity, his mbira is warmly organic, rolling along with Duval’s ostinatos and Oliver’s walking pulse in the beautiful East African-tinged groove of “Lafayette,” infectiously rhythmic even as Pancerev accents rather than locks into the beat. “Sisters Cities Suite” is an ambitious highlight, with the strings and bandoneon fully entwined in the quintet’s music, but throughout the album clarinetist Elderton deserves special mention for his lovely tone and phrasing on the melodic themes and his freewheeling solos, suggesting the likes of Chris Speed, Michael Moore, Don Byron, or Ben Goldberg. With their often surprising global stylistic meld, the Ocular Concern seem to celebrate the music of sister cities everywhere, discovering new places that any creative jazz fan would want to visit.
Dave Lynch (AllMusic)
