Downright Upright (Artistry Music)
Brian Bromberg
Released February 20, 2007
Grammy Nominee for Best Contemporary Jazz Album 2008
YouTube:
https://music.youtube.com/playlist?list=OLAK5uy_mVBALzs9fO5eZW1h5WJcGKjchf1SziZhY
Spotify:
https://open.spotify.com/album/7EhV3Rp6E9EZNvpU5FnGaE?si=eAeUNLu_SxiC0AWMln5bQQ
About:
On Downright Upright, acclaimed bassist Brian Bromberg leads an All-Star line-up to create an irresistible musical tour de force.
Generating retro grooves, sexy rhythms, and catchy hooks on every track – this mix of original compositions and fresh interpretations of classic tunes will be favorites for years to come.
Track Listing:
1. Cantaloupe Island (Herbie Hancock) 7:32
2. Mercy Mercy Mercy (Joe Zawinul) 6:58
3. Cold Duck Time (Eddie Harris / Les McCann) 6:21
4. Sunday Mornin’ (Brian Bromberg) 6:40
5. The Hacha Cha Cha (Brian Bromberg) 6:33
6. Chameleon (Herbie Hancock) 8:51
7. Serengeti Walk (Dave Grusin) 4:42
8. Leisure Suit (Brian Bromberg) 7:44
9- Slow Burn (Brian Bromberg) 6:07
10. Shag Carpet (Brian Bromberg) 8:28
Personnel:
Brian Bromberg: upright bass (1-10), piccolo bass (1, 3, 6, 8)
Gannin Arnold: guitar (4, 6, 7)
Rick Braun: trumpet (1, 5, 8), flugelhorn (10)
Vinnie Colaiuta: drums (1-10)
George Duke: piano (1, 6, 9)
Boney James: tenor sax (3, 10)
Jeff Lorber: piano (2-5, 7, 8, 10)
Gary Meek: tenor sax (5-9)
Lee Ritenour: guitar (7)
Kirk Whalum: tenor sax (1, 2, 4)
Recorded 2006, at B2 Studios, Los Angeles, CA
Produced by Brian Bromberg
Executive-Producers: Denny Stilwell, Brian Bromberg and Susumu Morikawa
Review:
Retro-inspired grooves can mean a lot of things—it depends on how far back
one wants to go.
On Downright Upright, bassist Brian Bromberg takes a retro tour of
the era when Freddie Hubbard and Herbie Hancock were reaching a peak. Joe
Zawinul and Eddie Harris were changing the scope of jazz. Weather Report was
in, and jazz was changing rapidly. The umbrella was opening up to include
innovative ideas and comfortable melodies that lingered in the mind for a
lifetime.
Working with a crew that normally reserves its studio and stage time for smooth
jazz or a similar, pop-inspired, contemporary form, Bromberg brings his big
bass and piccolo bass aboard for a veritable party. He and his sidemen inject
plenty of life into the scene on Downright Upright, honoring the
jazz legends who have paved the way. These are no mere sidemen with Bromberg,
either. Each brings a veteran’s feel for contemporary jazz to the session,
giving the bassist a rich palette from which to select. George Duke’s piano
solo on “Chameleon, for example, provides one of the session’s high
points. The others join Bromberg in creating several more plateaus on a session
that comes recommended for its broad appeal and for its unmistakable groove.
The bassist solos frequently on both his acoustic bass and his electric
piccolo bass with an expressive nature that finds him tearin’ up the strings
passionately. The sound of the smaller instrument resembles that of a bass
guitar as Bromberg applies it to “Chameleon, “Leisure Suit,
“Slow Burn and “Cold Duck Time. His five original compositions
maintain the momentum found in the album’s first three tracks, while his covers
of older familiar tunes prove satisfying.
Bromberg’s “Sunday Mornin’ and “Shag Carpet capture a pure gospel
mood that rocks the roof beams, while Dave Grusin’s “Serengeti Walk, a
smooth jazz outing that features guitarist Lee Ritenour, simmers in the
afternoon sun. As evidenced by Downright Upright, retro grooves
from a lyrical bassist like Brian Bromberg can seem as natural as sunshine on
Hollywood Boulevard at noon. The mood that he creates, however, could steal the
hearts of millions.
Jim Santella (All About Jazz)
