Beginning of a Memory (Palmetto Records)

Matt Wilson’s Big Happy Family

Released May 27, 2016

DownBeat Five-Star Review

Top 10 NPR Jazz Albums 2016

YouTube:

https://music.youtube.com/playlist?list=OLAK5uy_neg4TZ_3qsv86W5KdO3TW9z5MvvOpku7U

Spotify:

https://open.spotify.com/album/3FZ8dY4FPsuISlJYoFVfWN?si=YkT9aPfITTKdcid1yOaW6A

About:

Both a joyous act of communion and a solemn farewell, Beginning of a Memory is a celebration of life, community and family expressed with the virtuosic wit and embracing humor that has made Matt Wilson so beloved in the jazz community as a drummer, composer and human being. Returning to the studio as a leader for the first time since his wife Felicia lost her battle with leukemia in June 2014, Wilson convenes the closest members of his extended musical family, including all the members, past and present, of his longest-running ensembles: the Matt Wilson Quartet, Arts & Crafts, and Christmas Tree-O.
Due out May 27 from Palmetto Records, the result is a warm and loving commemoration, featuring new renditions of many of Felicia’s favorite tunes from Wilson’s past recordings interspersed with snippets of studio dialogue that capture the spirit of the session. The release also marks the 20th anniversary of Wilson’s tenure on Palmetto and of his collaboration with producer/label founder Matt Balitsaris, making Wilson’s behind-the-scenes collaborators as much a part of the Big Happy Family as his bandmates.
“I made this album to celebrate a community of people and how much their love and support through all of this has meant to me,” Wilson says. “It also celebrates her relationship with all these folks, because Felicia had a really special relationship with each and every one of them. “Wilson’s Big Happy Family is a raucous clan whose members span a considerable stylistic spectrum, spotlighting Wilson’s sonically inclusive versatility. The horn section alone brings together saxophonists Jeff Lederer, Joel Frahm and Andrew D’Angelo with trumpeter Terell Stafford and cornetist Kirk Knuffke; they all gathered together in the studio with Wilson and bassists Martin Wind and Paul Sikivie.

Improbably, that recording session was done without written arrangements, adding to the raw, informal feeling of the album and showcasing the camaraderie among Wilson and the various members of the family. “Just letting the cats play is risky business,” Wilson admits, “but I was really into that. It was nice to see what would emerge. I love the courageous trust that everyone had. It was a pretty vulnerable situation to be in, but the vulnerability opened up everybody’s sound to put them in a different light. Each and every one of them are characters, but the moment and the surroundings welcomed them into other territories.

“This was a very special occasion,” adds Martin Wind. “Matt creates a very special atmosphere because of his style of leading. He picks the guys who he trusts and loves and then he puts the music in front of us. He trusts our instincts and decision-making and he’s exceptional in the sense that he embraces everything that you could possibly come up with. There’s no such thing as a wrong musical decision when you play with Matt.”

Chris Lightcap added his bass parts later, as did pianist, organist and accordion player Gary Versace. Long-distance contributions also came in from Larry Goldings, who contributes a loving and tender solo rendition of “How Ya Goin'” on prepared upright piano from L.A., while original MWQ bassist Yosuke Inoue chimes in all the way from Japan with an unexpectedly moving solo version of ’80s schlock-pop masterpiece “Endless Love.”

Most of the pieces on the album have been associated exclusively with one of Wilson’s groups or another, making nearly every track simultaneously a revival and a discovery for the various members. The conjoining of bands also carries that feeling of familiarity and freshness into the ensemble itself. At the same time it felt like a homecoming with Balitsaris producing and engineering, Michael MacDonald mastering, and former label GM Pat Rustici cooking for the band.

The most deeply personal moment comes on “Flowers for Felicia,” a heartwrenchingly intimate piece that combines the melodies of Wilson’s “Orchids,” written for his wife, and one of her favorite songs, the Carter Family classic “Wildwood Flower.” She’s also there in spirit on the title track, on which Knuffke plays the melody that Felicia originally performed on violin for the original recording on 2003’s Humidity. But equally indebted to Felicia’s memory is the album’s most unruly moment, an impromptu romp through “Schoolboy Thug,” originally recorded on 1998’s Going Once, Going Twice and a song that she adored.

“She liked the music that was pretty nutty at times,” Wilson says with a chuckle. “I know she would love that version of ‘Thug.'”

“We all knew we were gathering that day for a special purpose,” recalls Jeff Lederer. “It was a day of remembering, it was a day of celebration – of Felicia, of Matt, of the special bond between them which was music, and so much more.  Each one of us in the room had our own unique relationship with Felicia and with Matt and knew that, even more than usual, there was a special purpose to the music we played that day.”

That spirit infuses every note on Beginning of a Memory. Moments of uninhibited joy collide with passages of bittersweet sadness, but all of it combines with Matt Wilson’s emotional openness, empathy and exuberance to conjure a mood of wistful optimism.

“I wanted this to be a landmark representing new beginnings and celebrating all the new memories that are starting,” Wilson sums up. “No matter what goes on in life, we have to welcome new things all the time but also celebrate the gifts that we’ve been given – and all of these musicians are full of gifts.”

Track Listing:

1. Score (Matt Wilson) 00:37

2. Lester (Matt Wilson) 05:49

3. Searchlight (Matt Wilson) 04:29

4. Beginning of a Memory (Matt Wilson) 03:28

5. Request Potato (Matt Wilson) 03:47

6. How Ya Goin’? (Matt Wilson) 02:32

7. Father of the Year (Matt Wilson) 00:56

8. Getting Friendly (Matt Wilson) 05:24

9. Andrew’s Ditty (Andrew D’Angelo) 03:37

10. Flowers for Felicia (Matt Wilson) 06:24

11. No Outerwear (Matt Wilson) 06:54

12. Potato Radio (Matt Wilson) 00:26

13. Go Team Go! – Endless Love (Lionel Richie) 04:19

14. 25 Years of Rootabagas (Matt Wilson) 03:58

15. Feel the Sway (Matt Wilson) 02:54

16. Schoolboy Thug (Matt Wilson) 04:20

17. July Hymn (Matt Wilson) 02:58

Personnel:

Jeff Lederer: tenor saxophone, soprano saxophone, clarinet (1-5, 7-10, 12-14, 16, 17)

Joel Frahm: tenor saxophone, soprano saxophone (1-5, 7, 9-13, 16, 17)

Andrew D’Angelo: alto saxophone, bass clarinet (1-5, 7-9, 12-14, 16, 17)

Terell Stafford: trumpet (1-5, 7, 9-14, 16, 17)

Kirk Knuffke: cornet (1-5, 7-9, 12, 13, 16, 17)

Martin Wind: acoustic bass (1-5, 7, 9-16)

Paul Sikivie: acoustic bass (1-5, 7-10, 12, 13, 15, 16)

Chris Lightcap: acoustic bass, electric bass (2, 3, 5, 8, 9, 12, 13, 15, 16)

Yosuke Inoue: acoustic bass (13)

Gary Versace: piano, organ, accordion (1-5, 10, 11 13, 14)

Matt Balitsaris: acoustic guitar, dobro (10)

Larry Goldings; piano (6)

Matt Wilson: drums (1-5, 7-16)

Recorded August 19, September 10 and 17, 2015, at the Carriage House, Stamford, Connecticut, by Matt Balitsaris and Sheldon Gomberg (track 6)

Mixed by Matt Balitsaris

Review:

For some, the loss of loved one is a time to mourn, a time to reflect, a time to celebrate. For Matt Wilson, it was a time for all of the above. In June of 2014, Wilson lost his wife Felicia to leukemia. Everyone who knows Wilson was crushed by the news. With Beginning Of A Memory, the drummer re-enters the recording studio for the first time since Felicia’s passing. Convening all the members of his best known groups—the Matt Wilson Quartet, Arts & Crafts and Christmas Tree-O—Wilson created new renditions of his older material that his wife loved most. The result is an international superband, some musicians dubbing their parts from afar, some joining the drummer/composer in the studio. Covering a wide range of styles and sounds, Matt Wilson’s Big Happy Family recalls nothing less than the various assortments led by Charles Mingus, with a similar atmosphere of swing and sensitivity. The 19-track release refuses to flag, from the marching-band frivolity of the opener, “Score!!” to Larry Goldings’ bittersweet but playful piano solo on “How Ya Goin” to the blues-tooting “Getting Friendly” and the funky sax section beat-down of “Schoolboy Thug.” A touching homage, “Flowers For Felicia,” combines the melodies of Wilson’s “Orchids,” written for his wife, with one of her favorite tunes, the folk song “Wildwood Flower.” Beginning Of A Memory is as special an album as you will hear all year.

Ken Micallef (DownBeat)