Polar Bear

Released March 27, 2015

The Guardian Highest Rated Jazz Albums of All Time

Jazzwise Top 10 Releases of 2015

YouTube: https://music.youtube.com/watch?v=6JyaExQB19c&list=OLAK5uy_n97QT27F8yPC_Lx-Syp_U6yOQXWrqVXiQ

Spotify: https://open.spotify.com/album/4DdOfxdvNK9A4h8vwl9ReU?si=ThyAmyISRFa-yZZNjQsWgw


Polar Bear have barely drawn breath before unveiling Same As You, the follow-up to 2014’s Mercury Prize shortlisted In Each And Every One. Given its short gestation, it is striking how far removed the new album is from its immediate predecessor. There is a startling freshness in the songs, both thematically and sonically. After the dark complexity of recent output, Same As You is presented in sharp focus, as inclusive and accessible as the title suggests, while still maintaining the playful experimentation on which the band has made its name.

Driven by a renewed vitality, bandleader Sebastian Rochford has made several bold artistic moves with this new music. Originally conceived as a single longform piece, the tempo remains constant but does not prevent the band from producing swells of raw, joyous, often life-enhancing energy within these self-imposed limits. The vocal performances and the heartfelt, spiritual lyrics of Same As You are an inspired addition to the rich instrumental line-up: Pete Wareham and Mark Lockheart (tenor sax), Tom Herbert (double bass) and Leafcutter John (guitar, electronics), with Shabaka Hutchings (Sons Of Kemet, Melt Yourself Down) making a guest appearance.

The album opens with an uplifting spoken word passage which introduces the rich emotional and conceptual landscape of the album. It’s delivered with absolute conviction and compelling charisma by Asar Mikael, owner of Jamaican cultural institution The Light Shop. Established in Tottenham, north London (Rochford’s home for many years), the store acts as an informal meeting place for enlightened minds. “He and the people I’ve met in his shop have been a really positive part of my life,” Rochford says. “The album is about love and positivity, so I asked him if he would write something for it.”

The album’s focal point ‘Dont Let The Feeling Go’ sees Rochford take on vocal duties alongside Hannah Darling and a choir of friends and collaborators. It is Polar Bear at their most direct: the song’s infectious life-affirming mantra stays with you long after the record has ended.

This use of vocals may catch the ear but that should come as no surprise given that Rochford has enjoyed working with singers as diverse as Beck, Spoek Mathambo, Paolo Nutini and Rokia Traoré over a 15 year career that has seen the drummer, composer and producer emerge as a pivotal figure in contemporary British music.

Since their 2004 debut Dim Lit, Polar Bear have thought far beyond any genre restrictions, and if the improvisatory aesthetic of jazz is at the core of their sound then the organic integration of dub, hip-hop, rock and ambient music has also been a major part of their identity. There is a pronounced sparseness and space on Same As You. That may be a due to Rochford’s continual growth as a musician and person, as well as a response to the six weeks he spent working on the album in the Mojave Desert with Ken Barrientos, whose work with the progressive Los Angeles singer-producer Iman Omari made a huge impression on the drummer. Rochford went on a hunch and made contact with Barrientos online. “I had never met him before so it was really an intuitive thing, especially as what he does is quite different. But it felt right and like I had known him for a long time. We spent a couple days at his studio then headed out to the desert for five days to mix it.” Immersion in such a magical environment impacted on the sessions.

The primal interplay of drums and saxophone on ‘The First Steps’ and the sweeping electronic overture of ‘Of Hi Lands’ convey a deep sense of engagement with nature and a reflection on humanity. The minimal melodic hooks and percussive undertow of ‘Unrelenting Unconditional’ reimagine African-Caribbean folk music for the 21st century. A highlight of Polar Bear’s second album, 2005’s critically acclaimed Held On The Tips Of Fingers was ‘Life That Ends Too Soon’, an intense, heartfelt lament. Same As You stands as something of an optimistic rejoinder to that song; a celebration and embrace of love as a great guiding force within a setting of mature musical invention.

Track Listing:

1. Life Love and Light (Asar Mikael / Sebastian “Seb” Rochford) 3:09

2. We Feel the Echoes (Sebastian “Seb” Rochford) 10:24

3. The First Steps (Sebastian “Seb” Rochford) 5:24

4. Of Hi Lands (Sebastian “Seb” Rochford) 7:40

5. Don’t Let the Feeling Go (Sebastian “Seb” Rochford) 7:30

6. Unrelenting Unconditional (Sebastian “Seb” Rochford) 19:52


Mark Lockheart: tenor saxophone

Pete Wareham: tenor saxophone

Leafcutter John: electronics, guitar

Tom Herbert: double bass

Sebastian Rochford: drums, vocals (5)

Asar Mikael: spoken word (1)

Hannah Darling: vocals (5)

Recorded at Assault And Battery, London, UK

Producer: Sebastian Rochford

Recorded by Sonny

Mastered by Shawn Joseph

Mixed by Ken Barrientos

Artwork: Sanchita Islam


From a strict aficionado’s angle, almost everything about Polar Bear’s new album (released a year after its Mercury-nominated predecessor, In Each and Every One) disregards the jazz-police rulebook: the tunes are artlessly simple, while improv simmers on the back burner, and there’s even a spoken homily about the meaning of lifefrom Jamaican narrator Asar Mikael. And yet it’s every bit as sonically spellbinding and cohesive as In Each and Every One, gliding dreamily through minimalist sax motifs, electronic drones, world-music drum grooves and mantra-like vocals. Drummer Seb Rochford spent six weeks in the Mojave desert mixing the album with producer Ken Barrientos, and that experience’s invitation to musical mindfulness seems to infuse every track. Caribbean bass vamps presage wheedling tenor-sax melodies, soft polyrhythms are displaced by long, choral hums or Celtic laments, and Rochford and Hannah Darling swap the vocal chorus of Don’t Let the Feeling Go over staccato sax-jazz and an oddly courtly, Tudor-troubadour prance. It’s another uncategorisable and understated triumph.

John Fordham (The Guardian)