With Love (Blue Note)

Charles Tolliver Big Band

Released January 16, 2007

Grammy Nominee for Best Large Jazz Ensemble Album 2008






Hard bop trumpeter Charles Tolliver, who first came to prominence in the ‘60s playing with Jackie McLean, Gerald Wilson, Andrew Hill, and others, is not only a fine brass man, but also a first-rate composer and arranger. With Love’s large ensemble features veterans like Stanley Cowell, Billy Harper and Cecil McBee, along with outstanding younger players, including pianist Robert Glasper. The music is forceful, densely layered, and always on the move. With Love strikes a near-perfect balance between improvisation and scored material, and between smaller ensemble passages and the full power of the entire band. The album opens at full-throttle with “Rejoicin’” and closes with “Hit the Spot,” a turbocharged track featuring a finely shaped alto sax solo by Craig Handy and inspired exchanges between drummer Victor Lewis and his bandmates. If you had to choose a highlight — no easy task — it might be “Mournin’ Variations,” which opens with a moody modernist statement performed on woodwinds before blasting off into swinging regions once explored by John Coltrane. A must for modern Big Band fans and jazz lovers in general.

Track Listing:

1. Rejoicin’ (Charles Tolliver) 6:20

2. With Love (Charles Tolliver) 9:26

3. ‘Round Midnight (Thelonious Monk) 9:10

4. Mournin’ Variations (Charles Tolliver) 10:57

5. Right Now (Charles Tolliver) 6:30

6. Suspicion (Charles Tolliver) 8:37

7. Hit the Spot (Charles Tolliver) 8:00


Charles Tolliver: trumpet


The Charles Tolliver Big Band:

David Guy: lead trumpet;

Chris Albert: trumpet;

Keyon Harrold: trumpet (1, 3, 7);

David Weiss: trumpet;

James Zollar: trumpet (2, 4, 5, 6);

Joe Fiedler: trombone (3);

Clark Gayton: trombone;

Stafford Hunter: trombone;

Jason Jackson: trombone;

Aaron Johnson: bass trombone, tuba;

Todd Bashore: alto sax, clarinet;

Jimmy Cozier: alto sax (5);

Craig Handy: alto & soprano saxes, clarinet, flute;

Billy Harper: tenor sax;

Bill Saxton: tenor sax, clarinet;

Howard Johnson: baritone sax, bass clarinet;

Stanley Cowell: piano (2, 3, 4);

Robert Glasper: piano (1, 5, 6, 7);

Cecil McBee: acoustic bass;

Victor Lewis: drums;

Special Guest:

Ched Tolliver: guitar (6)

Recorded June 2, 2006 – June 3, 2006, at Bennett Studios, Englewood, NJ

Produced by Charles Tolliver & Michael Cuscuna

Recorded by Malcolm Addey


With Love, Charles Tolliver’s first official Blue Note session as a leader, brings the under-sung trumpeter’s career full circle. His recording debut on Jackie McLean’s ’64 Blue Note classic It’s Time, led to fruitful partnerships with many of the era’s finest bandleaders, culminating in his formation of the Strata-East label with pianist Stanley Cowell in ’71. Tolliver was one of the few artists to lead a progressive big band in the ’70s, a fertile decade which is only now getting a critical re-evaluation.
His recent sideman appearance on Time Lines (Blue Note, 2006), pianist Andrew Hill’s momentous return to the venerated label, and a recently reissued collection of his ’70s Strata-East recordings on Mosaic, helped set the stage for Tolliver’s reappearance. Leading a big band once again, he tackles a mix of charts both old and new with infectious enthusiasm.
While the heyday of the classic big bands is long gone, Tolliver demonstrates the raw power and primal force a large ensemble can muster. Eschewing moody atmospherics, aleatory free jazz diversions and nostalgic remembrances, Tolliver’s group delivers some of the most impassioned playing in recent memory. Unveiling a series of sophisticated charts that brim with knotty counterpoint and dynamic arrangements, the session is fueled with an irrepressible momentum.
Overflowing with energy, the record is a riotous outburst of soaring trumpets, serpentine saxophones and blustery trombones driven by a fearless rhythm section. Only the title track and a radically re-arranged “Round Midnight” provide a temporary lull in the breakneck pacing.

While there are a number of stellar solo spots from a bevy of notable sidemen, it’s Tolliver’s dedication to the form that makes the strongest impression. Solos are concise and to the point, with punchy arrangements taking the lead. Tolliver proves his mastery of an idiom many have prematurely written off.
Young up-and-comer Robert Glasper alternates with original band-member Stanley Cowell at the piano. Both dive headlong into the angular rhythms and snappy cadences. Glasper, seemingly inspired by the collective energy, unveils an adventurous side unheard on his recent solo work. Saxophonists Craig Handy, Howard Johnson and Bill Saxton make memorable appearances, but Billy Harper virtually steals the show with a post-Coltrane tenor melt-down on the soulful opus “Mournin’ Variations.”
While Tolliver’s intonation on trumpet has been called into question by some critics, he sets forth with the same degree of passion and intensity that marks his finest work. That spirited dedication to pure expression, despite potential physical limitations, is what makes With Lovesuch a profound listening experience.

Troy Collins (All About Jazz)