
The Ultimate Adventure (Concord Records)
Chick Corea
Released February 2006
Grammy Award for Best Jazz Instrumental Album, Individual or Group 2007
YouTube:
https://music.youtube.com/playlist?list=OLAK5uy_lssAtxoBkT5S3Wo56ELfvFfD-jVkg1OQM
Spotify:
https://open.spotify.com/album/7zEQhbj21bJ0vhlh0R2ed4?si=QUYB7CT0TyaaAdKssOYv1A
About:
Adventure has been an operative word during the innovative keyboardist-composer Chick Corea’s four decades in jazz’s major leagues. Leading an assortment of ensembles of varying size, Corea has explored virtually every sonic landscape and unearthed a wealth of musical treasures.
Like his 2004 album To the Stars, The Ultimate Adventure is a musical tribute to the work of science fiction author and Scientology founder L. Ron Hubbard. The album draws heavily upon the rhythmic and melodic traditions of African, Spanish, and Arabian music.
The Ultimate Adventure is at once a recapitulation and a revelation. Drawing on an exceptional supporting cast with whom he’s previously collaborated productively (Hubert Laws, Airto Moreira, Steve Gadd, Frank Gambale) or with whom he’s more recently forged empathic relationships (Jorge Pardo, Carles Benavent, Vinnie Colaiuta), Adventure again displays that Corea is among our most inventive melodists who masterfully avails himself of multiple global sources, from Middle Eastern and flamenco harmonies and tonalities to several African rhythmic styles. The Ultimate Adventure is an epic from beginning to end.
Track Listing:
1. Three Ghouls, Pt. 1 1:38
2. Three Ghouls, Pt. 2 4:02
3. Three Ghouls, Pt. 3 3:11
4. City of Brass 6:38
5. Queen Tedmur 5:15
6. El Stephen, Pt. 1 6:39
7. El Stephen, Pt. 2 1:47
8. King & Queen 6:06
9. Moseb the Executioner, Pt. 1 1:39
10. Moseb the Executioner, Pt. 2 2:20
11. Moseb the Executioner, Pt. 3 1:54
12. North Africa 6:24
13. Flight from Karoof, Pt. 1 6:11
14. Flight from Karoof, Pt. 2 1:36
15. Planes of Existence, Pt. 1 5:25
16. Arabian Nights, Pt. 1 4:30
17. Arabian Nights, Pt. 2 2:38
18. Gods & Devils 2:15
19. Planes of Existence, Pt. 2 2:50
Personnel:
Chick Corea: piano, fender rhodes, synthesizers, acoustic and electronic percussion, palmas
Steve Gadd: drums, palmas (1-3, 6,7, 13, 14)
Airto Moreira: percussion, voice (1-3, 9-12)
Carles Benavent: bass, palmas
Hubert Laws: flute (1-3, 5)
Hossam Ramzy: percussion (4, 13, 14)
Jorge Pardo: flute, palmas, saxophone (4, 6-15, 18, 19)
Vinnie Colaiuta: drums (5, 9-12, 16,17)
Tim Garland: bass clarinet, tenor saxophone (5, 9-11)
Rubem Dantas: percussion, palmas (5, 8-12, 15-19)
Tom Brechtlein: drums, palmas (8-11, 15, 19)
Frank Gambale: acoustic guitar (16, 17)
Recorded 2005, at Mad Hatter Studios, Los Angeles, CA
Produced by Chick Corea
Sound Design: Emanuele Ruffinengo
Recorded by Bernie Kirsch
Mixed by Al Schmitt & Buck Snow
Review:
Some artists find it enough to find their niche and work it over the
course of their entire career, refining it in ways that keep it fresh but still
inherently focused. But there are also others whose voracious musical appetites
compel them to explore a wider musical world, all the while evolving an
instantly recognizable voice. Over a lifetime, they continue to find new
sources of inspiration and fresh ways to broaden their viewpoint, still
managing to remain consistent and focused within their already established
oeuvre.
Now in his sixties, pianist Chick Corea shows no
signs of either slowing down or settling into any kind of comfort zone.
Individual projects have demonstrated very specific focuses—the acoustic
chamber music post bop of his Origin sextet, the free explorations of Circle, the elegant interplay
of his duet with vibraphonist Gary Burton,
the pedal-to-the-metal fusion of his middle-period Return to Forever group with
guitarist Al DiMeola. Others have been reflective of grander designs. Concept
albums like The Leprechaun (Polydor, 1976) and The Mad
Hatter (Polydor, 1978) blended lessons learned from his fusion outings
and the organic nature of his acoustic work with more ambitious writing. The
most consistent of such recordings was My Spanish Heart (Polydor,
1976), where Corea brought his own distinctive narrative voice to material
informed by the music of Spain.
His latest release, The Ultimate
Adventure—like last year’s Elektric Band reunion album To the Stars (Stretch)—draws its
inspiration from the fiction of L. Ron Hubbard, Corea’s Scientology mentor for
the past 35 years. But here Corea brings together a larger cast of players,
reuniting him with old friends like drummer Steve Gadd and flautist Hubert
Laws, as well as more recent acquaintances, like woodwind multi-instrumentalist
Tim Garland and the group that accompanied him on the recent Rhumba
Flamenco.
Like his ’70s concept albums, The Ultimate Adventure aspires
to find the nexus point of Corea’s many musical worlds, but while some of the
textures on those earlier releases have ultimately become dated, Corea’s use of
technology here is integrated more seamlessly. When blended with acoustic
piano, woodwinds and a host of percussion, the synthesizers, Fender Rhodes and
electronic percussion blend naturally, completely devoid of the excesses that
Corea has sometimes been accused of in the past.
While many of Corea’s past interests are in
evidence, The Ultimate Adventure also moves forward as he
explores the music of North Africa, filtered through his own distinctive lens.
It’s more heavily percussion-oriented than anything he’s done before—with as
many as three percussionists and five pairs of hands clapping. The result is
completely captivating: challenging yet accessible, a perfect combination of
head and heart.
Consolidating his career, bringing together
musical friends past and present, and making significant steps forward in its
blend of detailed composition and improvisational prowess, The Ultimate
Adventure proves that it’s possible to continuously broaden one’s
musical horizons without losing one’s voice in the process. A career-defining
release from an artist who has already shaped and reshaped the course of modern
music more often than most.
John Kelman (All About Jazz)