Devil May Care (Alligator)

Tinsley Ellis

Released January 21, 2022

DownBeat Four-and-a-Half-Star Review




On Friday, January 21, 2022, world-renowned guitarist, vocalist and songwriter Tinsley Ellis will release his new Alligator album, the propulsive, soul-searching, raw and cathartic Devil May Care. The album, Ellis’ 20th, will be available on CD and on red vinyl LP, as well as on all major streaming and download services. That same day, Ellis will kick off his coast-to-coast North American tour from his hometown of Atlanta, Georgia.
Devil May Care features ten of Ellis’ most dynamic original compositions, mixing muscular rock ‘n’ roll and hard blues into his own instantly recognizable sound.  The emotionally-charged guitar solos soar in full service to the songs, as if Ellis is living and breathing the sound rather than simply playing the notes. “The goal,” says Ellis, “was to make the guitar sing.”
Relix says Ellis’ music contains “powerful spine-tingling guitar and gritty, soulful vocals …an inspired and passionate fusion of blues and Southern rock.” Guitar World declares, “Ellis’ playing sparkles with depth and subtlety. Whether playing deep, slow blues or uptempo rockers, Ellis rides a gorgeously fat, pure tone.”
While the worldwide pandemic and subsequent shutdown profoundly affected every musician (and every person), Ellis used his time off the road to write over 200 new songs. In March 2020, Ellis was forced to cancel the tour promoting his previous release, Ice Cream In Hell, only six weeks into the 60-date run. He almost immediately began composing on amps and guitars that he hadn’t used for decades. He explored obscure studio and live recordings from some of his greatest musical heroes, such as the Allman Brothers, Freddie King, Michael Bloomfield, B.B. King and beyond, and was inspired by his favorite artists all over again. Somehow, in the most unlikely of times, Tinsley Ellis committed to growing his already formidable talent.
As early as April 2020, he began regularly releasing his new material online, keeping his fans engaged and soaking up their comments and responses. He knew, thanks to the reactions of his fans to his new songs, that he needed to make a record and get back on the road as soon as possible. Ellis whittled the 200-song list down to ten, enlisted his friend and co-producer, keyboard master Kevin McKendree, and headed for Franklin, Tennessee’s famous Rock House recording studio. The result is Devil May Care, a record Ellis says, “is for the fans as much as for me.”
Tinsley Ellis has been immersed in music his whole life. Born in Atlanta 1957 and raised in southern Florida, he acquired his first guitar at age seven, inspired by seeing The Beatles perform on the Ed Sullivan Show. He took to guitar instantly, developing and sharpening his skills as he grew up. Like many kids his age, Ellis discovered the blues through the back door of British Invasion bands like The Yardbirds, The Animals, Cream and The Rolling Stones as well as Southern rockers like the Allman Brothers. One night in 1972, he and a friend were listening to Al Kooper and Michael Bloomfield’s Super Session record when his friend’s older brother told them that, if they liked Super Session, they should go see B.B. King, who was in town that week. Tinsley saw that show from the very front row. As fate would have it, King broke a guitar string while playing, and after changing it without missing a beat, he handed the broken string to young Tinsley. And yes, he still has that string.
Today, Ellis is among the world’s most celebrated blues-rock performers, and one of the genre’s most original and prolific songwriters. Blues Music Magazine says he plays “perfect, and perfectly Southern, blues-rock.” Vintage Guitar says, “He delivers blistering blues-rock, soul romps, minor-key blues and shuffles—and it all sounds great.” Ellis has toured the world non-stop for 35 years. He has captivated and amazed fans in all 50 United States, as well as in Canada, all across Europe, Australia and South America. He’s earned a massive, fervent fan base that can never seem to get enough of Ellis and his music. Fueled by his blazing, every-note-matters guitar work and his gruff, spirited vocals, Ellis delivers one imaginative and memorable song after another. Now, with Devil May Care and a new tour booked, Ellis is more than ready to make up for lost time.
According to, “Ellis’ playing underscores the emotional depth in the lyrics. His meaty solos dig deep.” With Devil May Care, Ellis proves that true again, with ten jaw-dropping, career-topping performances. As he continues adding more dates to his already packed tour schedule, Ellis will bring his high-energy Southern blues-rock to fans all across the country. “It’s been a long 18 months,” he says, “and now folks are ready to have some fun.”

Track Listing:

1. One Less Reason (Tinsley Ellis) 05:08

2. Right Down the Drain (Tinsley Ellis) 04:59

3. Just Like Rain (Tinsley Ellis) 04:29

4. Beat the Devil (Tinsley Ellis) 03:49

5. Don’t Bury Our Love (Tinsley Ellis) 05:19

6. Juju (Tinsley Ellis) 05:02

7. Step Up (Tinsley Ellis) 04:04

8. One Last Ride (Tinsley Ellis) 06:10

9. 28 Days (Tinsley Ellis) 04:00

10. Slow Train to Hell (Tinsley Ellis) 05:15


Tinsley Ellis, guitar, vocals

Kevin McKendree, organ, piano

Steve Mackey, bass

Lynn Williams, drums, percussion

Jim Hoke, saxophone (3, 4, 7)

Andrew Carney, trumpet (3, 4, 7)

Recorded at The Rock House, Franklin, TN Produced by Tinsley Ellis and Kevin McKendree
Recorded and mixed by Kevin McKendree at The Rock House, Franklin, TN
Assistant Engineer: Yates McKendree
Mastered by Jim Demain at Yes Master Studios, Nashville, TN
Cover art by Steve Johannsen
Photo by Elaine Thomas Campbell
Packaging design by Kevin Niemiec

In memory of William Tinsley “Trey” Ellis III


After decades in the trenches, Tinsley Ellis and Duke Robillard have secured enduring reputations. The usually overblown tag legend has a strong scent of legitimacy when applied to these two guitarists. Ellis’ Devil May Care is the best of the dozen albums he has made for Alligator since starting a solo blues-rock career in 1988. His singing voice is a casually potent vehicle of expression that age has given a new texture and a mature timbre. When he writes melodies, Ellis demonstrates an inquiring spirit and an ear for the catchy. His lyrics, even those on conventional romantic quandaries, are thoughtful rather than boilerplate. The 10 songs here, each a winner, were picked for the album from 200 he composed while at home in Atlanta for 18 months because of the pandemic. Being off the road so long allowed him to own his music as never before. Years ago, Ellis blazed like a firestorm, but today he’s a model of self-regulated heat who strikes the notes on his guitar with hard confidence and musical intelligence. He taps into a vein of inspiration soloing on the Hendrix-like “Step Up” and the ballad “Don’t Bury Our Love” (a cousin of Al Kooper’s “I Love You More Than You’ll Ever Know”). Ellis’ guitar seemingly helps him summon the power to confront inner hurt and find a place of solace in the Muscle Shoals-soul of “Just Like Rain.” Striking technical ability goes hand in hand with emotional tenacity throughout the album. Several songs carry the spirit of the Allman Brothers Band. Bonus: Pianist and organist Kevin McKendree, who produced the album with Ellis, enrichens the music with his consummate workmanship.

Frank-John Hadley (DownBeat)