Roma (ECM)
Enrico Rava / Joe Lovano
Released September 6, 2019
Jazzwise Top 20 Releases of 2019
AllMusic Favorite Jazz Albums 2019
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About:
Enrico
Rava, the doyen of Italian jazz, joined forces with Joe Lovano, masterful US
tenorist of Sicilian heritage, for a brief tour in November 2018. On this
album, recorded live at Rome’s Auditorium Parco della Musica, the two
masters lead a spirited quintet that includes lyrical pianist Giovanni Guidi,
dynamic drummer Gerald Cleaver and virtuosic bassist Dezron Douglas (making his
ECM debut here). Well-loved tunes by the two bandleaders form the core of the
programme, including Enrico’s intricate “Interiors” and “Secrets” and Joe’s
vigorous Texas blues “Forth Worth”, as well as a Lovano original “Divine
Timing”, written especially for this ensemble. The album concludes with an
extended and powerful medley that roams across the history of modern jazz as it
gathers together Lovano’s “Drum Song”, John Coltrane’s “Spiritual” and the
standard tune “Over The Rainbow”.
Although they have known each other for a very long time, Rava and Lovano had
scarcely played together previously. More than 20 years ago a handful of shared
gigs with Miroslav Vitous and Tony Oxley gave a hint of potential to be
explored, but the 2018 tour marked the first time that the two bandleaders had
shaped and developed repertoire in tandem. Clearly, they share some aesthetic
priorities – both might be described as tradition-conscious musical
adventurers. Lovano recalls hearing Enrico for the first time in the 1970s:
“You could always hear that he had a great passion for the music of Miles
Davis, Chet Baker, Art Farmer, Kenny Dorham and Dizzy Gillespie on one side –
and for people like Don Cherry on the other side. And that openness and his
huge passion about jazz really inspired me. So I thought, over the years, that
we were meant to play together eventually. And now I am really happy about this
album…”
For his part, Rava notes that “Joe is an absolute master and he plays with an
incredible warmth. I feel very close to him since we both have roots deep in
the tradition but also project into the future without any self-censorship.”
The inspired rhythm section was assembled by pianist Giovanni Guidi, formerly
one of Rava’s gifted disciples and now a major bandleader in his own right (see
for instance the recent album Avec le temps). Guidi and drummer Gerald
Cleaver have participated in several projects together over the last decade
including the ECM album Ida Lupino (with Gianluca Petrella and Louis
Sclavis). And Giovanni and bassist Dezron Douglas have latterly collaborated in
a quintet with trumpeter Fabrizio Bosso.
“They all listen and react to each other in a very beautiful manner,” says
Lovano. “Giovanni Guidi is a very free player who often surprises us in a very
stimulating way with his ideas. Dezron Douglas is a really serious strong bass
player who acts with a thunderous bass approach, a driving force. And Gerald
Cleaver is a very swinging drummer with a lot of propulsive and contrasting
elements in his style that really support the way Giovanni and Dezron play.
That rhythm section has a truly flowing, exploratory way of playing together.”
The album begins with Rava’s “Interiors” (previously heard on Enrico’s New
York Days recording of 2008) and “Secrets” (a tune from the 1980s revived
for The Words And The Days in 2005). Enrico: “I feel these are nice
pieces to improvise on. Joe plays great on them and brings the music to such a
level that it is very inspiring to play after his solos.” Heard exclusively on
flugelhorn in this set, Rava plays with the singing sense of melodic invention
that has long been a characteristic of his work, in and out of the free zone.
The ensemble flies into Lovano’s “Forth Worth” with great abandon, saluting the
Texas blues and making specific allusions also to Ornette Coleman and Dewey
Redman, two of Fort Worth’s freest spirits. Joe: “It’s a funky 24 bar blues
with a lot of freedom in it, a tune that takes on a very different shape
depending on who I’m playing it with. I was really keen to bring it to Enrico
and this rhythm section.”
“Drum Song” features Joe on the Hungarian tarogato. He switches to tenor as the
music gradually segues into Coltrane’s “Spiritual”, which boils for a while
until Giovanni Guidi calms the waters with a freely rhapsodic account of “Over
The Rainbow”.
Track Listing:
1. Interiors (Enrico Rava) 15:07
2. Secrets (Enrico Rava) 09:46
3. Fort Worth (Joe Lovano) 12:32
4. Divine Timing (Joe Lovano) 09:57
5. Drum Song/Spritual/Over the Rainbow (Harold Arlen / John Coltrane / E.Y. “Yip” Harburg / Joe Lovano) 18:49
Personnel:
Enrico Rava: flugelhorn
Joe Lovano: tenor saxophone, tarogato
Giovanni Guidi: piano
Dezron Douglas: double bass
Gerald Cleaver: drums
Recorded live November 10, 2018, at Sala Sinopoli, Auditorium Parco Della Musica, Rome
Producer: Manfred Eicher
Engineer: Giampiero Arminio
Photography: Roberto Cifarelli
Design: Sascha Kleis
Review:
Enrico Rava, the 80-year-old Italian trumpet star whose expeditions include Miles-infused post-bop, free-jazz with Steve Lacy, and a few personal takes on Italian opera besides, toured with Joe Lovano in November 2018 – this terrific live recording catches their Rome concert. Given Rava’s Miles allegiances (but maybe also a Lacy and Don Cherry-inspired inclination toward looser jazz forms), it’s perhaps not surprising that quite a lot of this music sounds like the almost-free leanings of Miles’ and Wayne Shorter’s 1960s Second Great Quintet pushed further out.
Rava’s ‘Interiors’ is a slowly swaying, film-noirish opener in which the trumpeter accelerates from a pure-toned theme to fast improv ascents paced by long turning notes – shadowed by Lovano’s plaintively eloquent tenor – before the band begins veering between punchy grooves and free-floating passages. Lovano plays a shapely tenor break of soft split-tones and rumbling bell-notes on Rava’s steady-swinging ‘Secrets’, and the latter accompanies Giovanni Guidi’s superb Hancock-to-Jarrett solo in deep exhalations, like a trombone.
Lovano’s ‘Fort Worth’ (a nod to Ornette) is exhilaratingly and free-jazzily polyphonic and conversational, ‘Divine Timing’ a haunting two-horns dirge that turns to effortless grooveswitching, and the closing segue embraces a Coltrane-quartet feel (on Coltrane’s ‘Spiritual’) and a disguised and almost-ambient visit to ‘Over the Rainbow’ by Guidi. The heads-playing is occasionally a little ragged (though in an Ornette/Cherry good way), but this is a meeting of hearts and minds. It should have happened a long time ago, but much better late than never.
John Fordham (Jazzwise)
