A Dance That Empties (New Amsterdam)
Subtle Degrees
Released February 23, 2018
DownBeat Four-and-a-Half-Star Review
YouTube:
https://music.youtube.com/watch?v=awpwIQar9yE&list=RDAMVMawpwIQar9yE
Spotify:
About:
A Dance That Empties is the culmination of a very long musical relationship. In 2001, when he was only 18 years old, Laplante played a concert at New York’s Knitting Factory, then a pre-eminent mecca for adventurous music of all kinds. Cleaver was in the audience, and came up to Laplante afterwards, handed him his phone number and said they should play together sometime. They soon did, “and I felt a very intimate and spiritual connection with Gerald that feels more alive than ever today,” Laplante says. “I’ve learned a tremendous amount from Gerald and have long considered him one of my favorite living improvisers.”
The two have performed together various times over the ensuing 17 years, but Laplante never felt he was quite ready to record with Cleaver. “It got to the point where I took a multiple-year break from playing with him because I felt like I didn’t have enough to bring to the table,” says Laplante. “I needed to practice so I could have more to give to our musical relationship.” Then, in the fall of 2016, Laplante received a commission to compose a piece to be performed at Roulette in Brooklyn the following spring. “I knew that this was the perfect opportunity to return to this relationship with Gerald.” And so Laplante began composing an epic-scale work with Cleaver’s rhythmic virtuosity in mind.
Inspired by the longer durational forms of spiritual ceremonies, A Dance That Empties is a continuous journey that unfolds over 43 minutes, with musical motifs that foreshadow, recur, and evolve. The piece refines sonic territory that Laplante has pioneered in his celebrated saxophone quartet Battle Trance, as well as his solo saxophone work, utilizing long passages of circular breathing and other extended techniques to create specific and yet ineffable emotional and sonic resonances. A Dance That Empties, as the title implies, adds the distinctly new element of complex rhythmic pulses precisely and expressively executed by Cleaver, that compel listeners to lose themselves in the hypnotically repetitive yet subtly shifting grooves.
With A Dance That Empties, Laplante and Cleaver throw themselves into unknown territory, delving further into the devotional intensity that has long distinguished both their work.
Travis Laplante on Subtle Degrees:
“Playing in this duo with Gerald is by far the most exposing musical experience I’ve ever had. I think it feels so raw and vulnerable because it has a similar nakedness to playing solo, while at the same time I’m completely relying on and needing to stay connected with Gerald, no matter what. It requires 100% trust in another person, as well as myself. Our respective parts in A Dance That Empties are so meticulously interwoven that it can potentially be disastrous if one of us makes even a tiny mistake. It feels like the riskiest piece I’ve ever written in terms of the psychological, emotional, physical and sensory demands.”
Track Listing:
1. A Dance That Empties I 12:04
2. A Dance That Empties II 11:24
3. A Dance That Empties III 18:02
Composed by Travis Laplante
Drum arrangements by Gerald Cleaver
Personnel:
Travis Laplante: tenor saxophone
Gerald Cleaver: drums
Recorded on April 20th, 2017 at Guilford Sound Recording Studio
Guilford, VT
Recording Engineer, Dave Snyder
Assistant Engineer: Matt Hall
Mixed by Eli Crew
Mastered by Joe Branciforte
Cover Image by Priscilla Cross
A Dance That Empties was made possible, in part, by the Jerome Foundation and Roulette.
Review:
Fifty-one years after it was recorded, Interstellar Space, which features John Coltrane and Rashied Ali, remains the gold standard against which all saxophone-drum duo records are measured. And A Dance That Empties merits a comparison to that classic more than most recordings. Coltrane’s intense studies of musical and spiritual matters were motivated by a search for universal structures. And in addition to music, saxophonist Travis Laplante is a practitioner of the healing art of Qigong, which restores harmony between the energies that flow within a person, and between a person and the world. Here, the players’ familiarity with one another charges the encounter with practiced empathy, as well as the need to reconnect. The altissimo whispers that open the recording can be heard as a call to prayer or to bend an ear. One key difference between Interstellar Space and Dance is the degree to which this music is orchestrated. Gerald Cleaver is credited with drum arrangements, and his intricate, evolving accompaniment completes Laplante’s circular lines and insistently repeated patterns. Ritual, personal and compositional energies converge to create music that is deeply rewarding.
Bill Meyer (DownBeat)
