As I Travel (Imagery Records)
Donald Vega featuring Lewis Nash, John Patitucci & Luisito Quinter
Released October 27, 2023
Grammy Nominee for Best Latin Jazz Album 2025
YouTube:
https://music.youtube.com/playlist?list=OLAK5uy_mHlAK_8uHuxuD_cD-LPyY-Yzgm9EtLApA
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About:
Acclaimed pianist and composer Donald Vega is a luminary whose accolades are rivaled only by the scope of his vision. From studying firsthand under jazz legends such as John Clayton, Billy Higgins, and Kenny Barron, being a staple member of the legendary Ron Carter Golden Striker Trio, and most recently being selected as a Guggenheim Fellow, Vega has had an impressive and wide-ranging career which has pushed him steadily into the upper echelons of the jazz landscape. A native of Nicaragua, Vega emigrated to the United States at age 14 and has been shaped powerfully by the people and experiences who have walked with him from his childhood through to the musician and person he is today. As I Travel, set to be Vega’s fourth album as a bandleader, is a programmatic, autobiographical suite of compositions inspired by his voyage – both geographically as an immigrant and intangibly as he has been molded through the lives of others. Featuring an all-star roster of Lewis Nash (drums), John Patitucci (bass), and Luisito Quintero (percussion), As I Travel highlights the interactive and interconnected nature of what it means to learn and grow as a human being.
The story behind As I Travel began long before the album was even conceived as an idea. At age 14, Vega – led by his mother who had previously begun the process of moving to America to pave a way for her family – fled from the civil war in Nicaragua and emigrated to the United States. “This album is an American story,” Vega says. “The topic of immigration has been debated in the United States since its founding. No matter what side you land on, each immigrant’s story is unique, full of hope and often heartbreak.”
For his first couple years in America, Vega spoke little to no English and his primary form of cross-cultural communication was music. This multi-layered dependence and joyous release that Vega found in music led him to dig in to his passion for the discipline and art form even more, ultimately enabling him to study at the Manhattan School of Music and The Juilliard School. As his prowess in the craft developed, Vega began to recognize within himself a distinct ability to convey stories through music. Now, as an established musician and inimitable creative force in his own right, Vega seeks to tell his personal story – and in so doing, the stories of so many others – through music. “There are thousands of immigration stories just like mine that don’t get told,” Vega explains. “I’m fortunate enough to be able to share my story through music.”
The album’s title, and the title track from which its name stems, succinctly summarizes the unifying theme present throughout the album. The name As I Travel is a reference to the distinct physical distance from Nicaragua, to Los Angeles where Vega’s family settled, and finally to New York where Vega studied and settled on his own. Simultaneously, this title is a nod to Vega’s personal development of head and heart, with lessons learned through both seasons of wonder and tribulation. “Through moving countries and ultimately attending some of the best universities in the world, I learned a lot about myself, my character, and my passion for music,” Vega says. “Adversity also taught me to have compassion for those around me, the importance of hearing everyone’s story, and recognizing and celebrating their uniqueness.”
Musically, Vega puts storytelling at the forefront of his compositions. Whether through pleasing melodies or idyllic harmonies, Vega infuses his time on the bandstand into every note and rest he performs. More than mere pitch and rhythm, Vega carries with him the compassion and kindness carried from his wealth of varied experiences in each performance. “My music comes from a place of love… This album is a celebration of friends and family and all the experiences and memories that make us who we are,” Vega says. “I hope [listeners] feel all those things and bring that level of love and compassion back to their own families and lives. Wouldn’t that be great?”
As I Travel begins vibrantly with a track entitled “Baila! Dance Like No One’s Watching”. As the name suggests, the piece is a jubilant statement that reflects the culture and outlook of Vega’s homeland. “In Nicaragua, there is so much poverty, and yet the people are known for their joy,” Vega says. “They take time to celebrate every moment and ‘Dance Like No One’s Watching’.” As a father, Vega sees this same unconquerable spirit of happiness in his son, and this piece is equally dedicated to and inspired by his son and his homeland. The album continues with a retelling of one of Vega’s oldest and dearest compositions, “Tomorrows”. Originally the title track from his 2008 debut album, “Tomorrows” is a tale of hope and optimism for the future, inspired by the hope and optimism of his own story – even if sometimes the optimism is created in the embellishment. “The story gets told a lot that I came to this country at the age of 14 on the 4th of July. The truth is, I don’t recall the exact date or year,” Vega admits. “…but it’s a nice idea isn’t it? That America was celebrating another year at the same time I was crossing the border to start a new chapter in my life.” As the album nears its close, listeners are presented with a driving, beautiful work entitled “Dear Mayra,” Vega’s tribute to his mother. Vega’s mother was in many ways his beacon growing up. From paving the way to America for her family, to always ensuring Vega had everything he needed to pursue music, she is a steadfast, “positive force of nature” in the composer’s life. “You’ll notice there are many sections where this song does not let up,” Vega says. “It drives you forward no matter what – just like every mom does all over the world.”
An album with such a high-caliber vision requires a band of equal caliber to pull it off, and Vega assembled a perfect (and star-studded) cast for the task. As I Travel boasts the presence of Lewis Nash on drums, John Patitucci on bass, and Luisito Quintero on percussion. In addition to the wealth of experience and unparalleled accolades of such a crew, Vega specifically praises the band’s versatility. With a body of work that regularly and seamlessly flows between Latin and Swing idioms, such a level of musicianship and interconnected trust was a prerequisite for success. “[The band] 100% brought their experience and musicality to the table in the recording and As I Travel is better because of it,” says Vega.
With As I Travel, Vega presents an artistic statement that stands as a profound monument to the human spirit. Uniquely creative yet universally appealing, Vega blends with seemingly effortless command a myriad of traditions into a brilliantly unified whole that bespeaks a story worth telling and a tale worth hearing.
Track Listing:
1. ¡Baila! Dance Like No One’s Watching 03:54
2. As I Travel 05:04
3. I Know You Can Fly 07:02
4. Tomorrows II 05:16
5. Alegria 03:49
6. Disturbios 07:10
7. Isabel – The Enchanting Nature of You 05:59
8. Dear Mayra 06:01
9. Beautiful Ladies 05:17
Personnel:
Donald Veja: piano & Compositions
Lewis Nash: drums
John Patitucci: bass
Luisito Quintero: percussion
Recorded March 09, 2023, at Samurai Hotel Studios, Astoria, New York, by Jim Anderson
Mixed by Jim Anderson at Studio L, Anderson Audio, New York
Mastered by Ulrike Schwarz at Anderson Studio, New York
Produced by Donald Vega, Jim Anderson & Laura Vega
Review:
The pianist Donald Vega is now on a don’t-touch-me pinnacle. With his album As I Travel he unveils a richly detailed narrative of his journey that brought him from Nicaragua – where he was born and lived out the first formative years of his life – to the United States, to New York, to be precise. Here he began the next chapter in his musical sojourn climbing from the mountaineer’s proverbial base camp to the top of the musician’s proverbial pinnacle, celebrating his arrival at the top when he was invited to assume the piano chair in ensembles led by the great Ron Carter.
Now, he tells us on the album, about his fabled voyage. The repertoire contains some old footage – that he would have us gazed upon as longingly as he did while creating it and putting it together from a series of faded photographs [Dear Mayra]. Equally enchanting – perhaps digging deeper into the past – is when he surfaces for air and gives us vivid, and eloquently elegiac impressionist portraits in Isabel – The Enchanting Nature of You and Beautiful Ladies. Those beautiful memories unfold with fascinating melodies woven together, gossamer-like, in between eloquent, colourful harmonies.
Always and everywhere melody and harmony is held together by rippling, tumbling rhythms, clearly embedded in body and soul with which Mr Vega leans into his music. The pianist virtually bursts out of the gate with ¡Baila! Dance Like No One’s Watching. Indeed, the joie de vivre is not only palpable but sustained as he propels his way with musicians perfectly attuned to his vision and artistry through the main act, namely As I Travel, followed up by gloriously magical advice he once took to heart as he turned it into so exquisitely into the songful I Know You Can Fly.
There is joy, profundity, and deep meditation in songs such as Tomorrows II, Alegria and the number in which he appears to bear his once-troubled soul: Disturbios. Taken together this music clearly represents the zenith of Mr Vega’s art. An ideal partnership with the bassist John Patitucci, who appears to be a perfect fit for Ron Carter’s BIG shoes, playing with erudite rumbling and particularly bass line melody throughout, stepping into the limelight with a particularly elegant solo on Dear Mayra.
No less a figure is drummer Lewis Nash, who prevails throughout with delectable lightness of touch, that is often teasingly climactic as the songs reach their dénouement. Mr Nash’s painterly brushstrokes – with sticks and other hand-held implements – is perfectly complemented by the inimitable Luisito Quintero, a great percussion colourist in his own right.
With the rapt intensity and idiomatic playing throughout, this music goes like the wind, with Mr Vega’s contrasts in tone and colour turning each chorus of each song into a seductively habitable sound-world into which this prodigiously gifted musician bids us enter… and fall prey to its irresistible charms.
Raul Da Gama (Latin Jazz Network)
