Lights on a Satellite (In+Out Records)
Sun Ra Arkestra
Released December 2024
AllMusic Favorite Jazz Albums 2024
Grammy Nominee for Best Large Jazz Ensemble Album 2026
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About:
From the free playing attitude of the Sun Ra Arkestra, Lights On A Satellite lands with a full groove right in the heart of swing. The recording is a tribute to the life‘s work of Marshall Allen, who celebrated his 100th birthday on May 25, 2024. Recorded in Studio A at New York‘s Power Station on June 16, 2024, the album honors the mastery of this exceptional musician as a multi-instrumentalist, arranger, bandleader, teacher and keeper of Sun Ra‘s legacy.
Allen is one of the most distinctive voices in jazz. His versatile alto saxophone has defined the sound of the Sun Ra Arkestra since 1958. Born in Louisville, Kentucky, the NEA Jazz Master (2025) embodies like no other the music that has come to be recognized as America‘s classical music. He has played an active role in shaping all eras of jazz and his eloquent tone continues to unfold its radiance and expressiveness to this day. With Steiner‘s Electronic Valve Instrument (E.V.I.), Allen has created an exclusive realm of sound that has catapulted him directly into the 21st Century.
Allen has led the Sun Ra Arkestra for more than 30 years. Founded by Sun Ra in the early 1950s, the band bears the name Arkestra as a deliberate combination of Noah‘s Ark and orchestra. No other ensemble has more justification for making the past and future happen simultaneously, as if in a time machine. On Lights On A Satellite we hear pieces from a century of jazz, which has become present in an astonishing way. Sun Ra‘s reverberations will probably continue to have an effect beyond his earthly end in 1993 and into eternity, according to the astonishing realization, as we experience the world premiere of the Sun Ra composition “Baby Won‘t You Please Be Mine.”
Allen has not allowed the Sun Ra Arkestra to atrophy into a repertoire band. He has organized and sifted through the estate of his friend and mentor, filled it with life, trained young musicians in his spirit and thus also arranged these new Sun Ra compositions and brought them into the band‘s repertoire. Allen has not toured internationally since 2021. But he has by no means retired. In the “Arkestral Institute Of Sun Ra,” the terraced house in Philadelphia‘s Morton Street, which was declared a historical monument in 2022 and has served as the band‘s headquarters since 1968, Allen continues to work on his mission.
On Lights On A Satellite we experience the virtuosity of the master and his satellites, the interplay of the Sun Ra Arkestra as a very own sound entity in the greatest possible expansion, across generations of musicians, and with an all-encompassing repertoire.
Allen discovered Sun Ra’s 1955 composition “Baby Won’t You Please be Mine” in his estate six years ago and recently added it to the Arkestra’s repertoire. It sounds like it was written for Billie Holiday in the 1930s with its charming instrumental parts moving in the playing posture of the 30s but breaking out in favor of free playing, even for just a short phrase. Horace Henderson’s “Big John’s Special’ was originally arranged by his brother Fletcher Henderson during his tenure playing in his big band. Like Horace Henderson, Sun Ra played piano and wrote arrangements under his real name Herman Poole Blout in Fletcher Henderson’s. This showcases a more relaxed, straight-ahead composition style that does not push forward like Benny Goodman, but builds up a restrained tension reminiscent of bands from New Orleans.
The million-selling “Holiday for Strings” (1942 by David Rose and his Orchestra) is still considered a classic of American music and was a signature turn of the popular Red Skelton Radio show in the 1950s and 1960s. It can also be heard on the 1960s Sun Ra Arkestra recording “Holiday for a Soul Dance” as a solemn, piano-accented instrumental piece, albeit with rapid tempo change.
In Lights On A Satellite Allen unfolds his full mastery of the alto saxophone. His distinctive voice bursts out of the exquisite interplay with the strings with all its explosive solo power in the moment the entire reed section kicks in. The album concludes with “Tapestry From An Asteroid,” which has been a part of Sun Ra Arkestra’s instrumental repertoire since 1956 and can finally be heard with a wonderful arrangement particularly highlighting the sonorous baritone saxophone of Noel Scott and Allen’s striking overblowing of the higher registers.
The inimitable groove of this exceptional orchestra can be experienced through the entire orchestration with 24 musicians, recorded in a quality that allows all voices to be savored and thus presents the music in its full beauty. Going into a recording studio as a producer with these specifications and 24 musicians was a risk.
With Lights On A Satellite Frank Kleinschmidt from IN+OUT Records expresses his 40-year connection to the Sun Ra Arkestra. Here we have a compilation of sound and film documents which, in addition to the cinematic and photographic side of the studio day, also provides background information in the form of liner notes and photographs by Allen biographer Sibylle Zerr – and, as a summary of the spirit of the memorable studio day, by Allen himself.
Track Listing:
1. Lights on a Satellite (Sun Ra) 09:31
2. Dorothy’s Dance (Phil Cohran) 08:57
3. Big John’s Special (Horace Henderson) 03:37
4. Images (Sun Ra) 07:34
5. Friendly Galaxy (Sun Ra) 13:17
6. Baby Won’t You Please Be Mine (Sun Ra) 07:00
7. Holiday for Strings (David Rose) 06:41
8. Tapestry From an Asteroid (Sun Ra) 04:58
9. Reflects Motion (Sun Ra) 9:10
10. Joe Delight (Sun Ra) 03:38
11. Way Down Yonder in New Orleans (Turner Layton) 05:30
Personnel:
Marshall Allen: leader, alto sax, EVI, gong, additional vocals
Tara Middleton: vocals, violin
Knoel Scott: alto & baritone sax, congas, additional vocals
Anthony Nelson: clarinet, baritone sax
Nasir Dickerson: tenor sax
James Stewart: flute, tenor sax
Chris Hemingway: alto sax
Michael Ray: trumpet, vocals
Cecil Brooks: trumpet
Vincent Chancey: french horn
Brent White: trombone & bass trombone
Dave Davis: trombone
Robert Stringer: trombone
Nina Bogomas: harp
Owen Brown Jr.: violin
Gwen Laster: violin
Melanie Dyer: viola
Farid Barron: piano, keyboards, moog theremin
Carl LeBlanc: guitar, vocals
Dave Hotep: guitar
Tyler Mitchell: bass
George Gray: drums
Elson Nascimento: surdo, percussion
Recorded June 16, 2024 at Power Station Studio A, New York
Produced by Frank Kleinschmidt
Engineer: James Farber
Assistant Engineers: Matthew Soares & Michael Hickey
Mixed and Mastered by Frank Schmidt & Oliver Noack
Cover Art by Ben Hübsch
Photos by Sibylle Zerr
Graphic Design by Ulf Ryberg
Review:
As befits a being whose life encompassed much of the Solar System, from his origins on Saturn to his long earthly sojourn that ended in 1993, Sun Ra composed, played and recorded an astronomical panoply of musical styles across six decades. Lights On A Satellite, a new double album released by Germany’s In+Out Records, presents a varied program that serves as a dual tribute to both Ra and Marshall Allen, the recent centenarian who has directed the Sun Ra Arkestra since its founder’s passing. Just weeks after he turned 100, Allen took the 24-piece band into New York’s Power Station to lay down 11 tracks, which encompass Sun Ra’s career from 1930’s and 1940’s big band tunes (“Big John’s Special,” “Way Down Yonder in New Orleans,” “Holiday for Strings”) to songs found on Ra’s classic Saturn LPs (“Images,” “Dorothy’s Dance,” “Tapestry From An Asteroid,” the title track) to latter-day Arkestra live material (“Joy Delight,” “Baby Won’t You Please Be Mine”). The result is a fun swinging tour through nearly a century of idiosyncratic jazz and cosmic music, featuring lush arrangements and excellent sound quality. The pressing of the double vinyl release is flawless and features a gatefold with extensive liner notes, lyrics, and credits; CD and streaming versions are also available.
The celebration kicks off with a 10-minute version of the title track, first heard on 1961’s Art Forms of Dimensions Tomorrow (Saturn). A lovely melodic line is repeated, mantra-like, throughout, creating a serene and spacey mood over which Allen comments effectively on alto sax, spurring simultaneous stereo tenor responses from Nasir Dickerson and James Stewart. “Dorothy’s Dance,” which appeared on 1960’s Holiday for Soul Dance (Saturn), is a delightfully swinging tune with a standout solo by trombonist Brent White and an intriguing excursion for Melanie Dyer’s viola. “Big John’s Special” was arranged in 1937 by bandleader Fletcher Henderson, with whom Ra would work a decade later (under his initial earthly name, Herman Poole Blount). It is a fun vintage big-band tune, though it sits a bit uneasily among the more cosmic tracks. A standout from among these is “Reflects Motion,” a delightfully cacophonous free piece with bleeps and bloops from the two guitarists, an effective drum solo by George Gray and exploratory interjections from Anthony Nelson on baritone sax and Cecil Brooks on trumpet. Perhaps less successful is the 13-minute “Friendly Galaxy,” from 1962’s Secrets of the Sun (Saturn): Gray’s solid backbeat on the dreamy and static tune is hypnotic at first, but at length feels a little unrelenting as the minutes tick by. Chris Hemingway’s alto solo highlights “Joy Delight,” a raw and funky tune with more than a bit of New Orleans in it, and the Crescent City appears explicitly in “Way Down Yonder in New Orleans,” a 1920’s vocal feature for guitarist Carl LeBlanc that brings the album to a fun, upbeat close.
All together, the 24 talented musicians on Lights On A Satellite effectively shine starlight on Sun Ra’s massive musical and spiritual legacy and celebrate the achievement of Allen, his loyal lieutenant, as he guides the Arkestra into his second century. Joy delight, indeed.
Joshua Weiner (All About Jazz)
