12 Stars (Blue Note)
Melissa Aldana
Released March 4, 2022
AllMusic Favorite Jazz Albums 2022
70th DownBeat Annual Critics Poll Top 30 Album of the Year
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About:
GRAMMY-nominated saxophonist and composer Melissa Aldana joins the Blue Note Records family with the release of 12 Stars, her debut album as a leader for the legendary Jazz label. At 33, the Brooklyn-based tenor player from Santiago, Chile has garnered international recognition for her visionary work as a band leader, as well as her deeply meditative interpretation of language and vocabulary.
12 Stars grapples with concepts of childrearing, familial forgiveness, acceptance, and self-love. “This is a really important album for me,” says Aldana. “I felt like I had so much to say because of all the experiences I had during 2020. After the personal process I went through last year, I feel more connected to myself and my own imperfections — and I’ve discovered that it’s the same process with music. Embracing everything I hear, everything I play — even mistakes — is more meaningful than perfection.”
Just before the lockdown, Aldana went through personal struggles with the end of a relationship. Alone in Harlem, she told herself she’d be busy for years, with plenty of distractions from dealing with her complex emotional response. “But then,” she says, “the pandemic hit, and I hit bottom.” She needed to make changes, so she turned inward. “Because of that personal process, I feel even more connected to my music.” Even the way she practiced changed, allowing her to explore new concepts and endure discomfort.
Inspired by the arcs and nuances of tarot, 12 Stars features a series of tributes to moments of challenge and triumph in Aldana’s New York life. “For some time, I had been very curious about tarot — the symbols, and the actual story of the tradition,” she says. “So I took the lockdown as an opportunity to learn more about myself through the process of learning tarot, whose focus is the journey of an individual. As I studied the cards, I started writing music about each of them, individually. And I found that the process described on the tarot is a process that we all deal with somehow throughout our journey here on earth.”
Throughout her career, Aldana has gravitated toward collaborators who let her sound exist and resonate without restraint. She develops profound connections with bandmates, and the personnel and producer she chose for 12 Stars is no exception. “I love playing with musicians that are strongly rooted in tradition but, at the same time, very open-minded when it comes to music,” she says. The album was produced by the Norwegian guitarist Lage Lund, who also performs as part of a remarkable quintet with Sullivan Fortner on piano and Fender Rhodes, Kush Abadey on drums, and Aldana’s longtime collaborator and confidant Pablo Menares on bass.
A sixth collaborator contributed the album artwork. Aldana asked her close friend, vocalist Cécile McLorin Salvant to share her talents as a visual artist for the release, and many of the album’s themes are manifested in Salvant’s sublime cover illustration. “It felt very natural for me to have her as part of this project,” says Aldana.
She titled the album after the 12 stars that adorn The Empress’ crown. “In numerology and tarot, The Empress is a symbol of creation,” she says. “She represents my essence as an individual, and this entire journey.” Aldana also sought to spotlight her vulnerabilities and celebrate them as part of her artistic process. Her decision to collaborate with Lund rendered Aldana vulnerable, so she chose to indulge that discomfort.
“I’m allowing somebody to enter my music and move things around, which is something I’ve never done before,” she says. “But Lage knows me very well, and I knew that he would be the right person. I wanted to learn by watching his process, to see how he took my music and rearranged it to reflect how he thought about the album.”
Throughout 12 Stars, Aldana’s thoughtful development of bold, melodic statements reaches new levels of persistence. Engineered and mixed by James Farber at Samurai Hotel Studios in Queens, the tracks emit a warm clarity that serves Aldana’s intention. “I wanted to go to the studio and worry about the music and nothing else,” she says. “I knew having James there would allow us to do that.” The mix also features a kind of vertical depth Aldana credits Farber and Lund as having orchestrated intuitively.
The album presents seven striking new original compositions by Aldana that were either or arranged or co-written by Lage including the opening piece “Falling,” which Aldana explains was “the tune I was writing when I felt that everything in my life was falling apart.” The piece introduces Lund’s bold harmonic and textural presence immediately. Between statements and inquiries, Aldana develops her solo rapidly, Fortner’s spontaneity connecting to hers at every turn.
“Intuition” proffers one of the album’s most striking melodies. At once commanding and conversational, the tune serves Aldana’s extended arcs of lyrical development. “I had this realization where I felt that all the things that I was questioning and looking for and trying to find meaning for, the answers were in me,” she says. “And I just didn’t want to listen to myself. I didn’t want to trust that what I was feeling was truthful.”
Named for the imagined daughter she met in a dream, “Emilia” features a haunting introduction from Lund and Menares, and a lingering melody line Aldana remembers singing to her dream child as a lullaby. “The Bluest Eye,” titled in tribute to Toni Morrison’s literary and cultural masterpiece, provides the musicians a prism for interactivity. Abadey’s reflexive energy pulses from one section to the next.
The gently roaming piece “The Fool” draws its inspiration directly from tarot. “The Fool is the first major arcana, first card, and it talks about this person that is in the beginning of his journey, going somewhere without a destiny — just a bag and his dog. And he’s not afraid to leave and experience life. That is how we’re brought into this world.”
The Estallido Social, a series of massive public demonstrations and riots that roiled Chile starting in 2019, were the source of inspiration for “Los Ojos de Chile.” “When this happened, despite the fact that I was worried and sad over what my country was going through, I felt so proud to see millions of people going out and speaking up, going into the streets to fight for what they believed were their rights,” recalls Aldana. “Many people lost their sight because they got shot by police officers using riot shotguns with rubber bullets. We held a benefit concert for an organization called Los Ojos de Chile — the eyes of Chile — and it was to raise money for people who lost their sight standing up for their beliefs.”
The stunning title track “12 Stars” presents Aldana at her most lyrical and contemplative, revealing a sound that contains multitudes — regret, determination, joy and acceptance. “‘12 Stars’ is the last on the album but the first one I started writing during the beginning of my process, back in March 2020. I finished its composition a year later in March 2021,” she says. “To me, finishing this tune also meant the closure of a period in my life because, as the legend goes, a phoenix obtains new life by rising from the ashes of its predecessor.”
Track Listing:
1. Falling (Melissa Aldana / Lage Lund) 06:21
(Melissa Aldana, soloist, Grammy Nominee for Best Improvised Jazz Solo 2023)
2. Intuition (Melissa Aldana / Lage Lund) 07:30
3. Intro to Emilia (Pablo Menares) 00:38
4. Emilia (Melissa Aldana / Indigo Lund / Lage Lund) 07:35
5. The Bluest Eye (Melissa Aldana / Lage Lund) 07:22
6. The Fool (Melissa Aldana / Lage Lund) 06:50
7. Los Ojos de Chile (Melissa Aldana / Lage Lund) 05:41
8. 12 Stars (Melissa Aldana / Lage Lund) 02:59
Personnel:
Melissa Aldana: tenor saxophone
Lage Lund: guitar
Sullivan Fortner: acoustic piano, Rhodes (tracks: A4, B4)
Pablo Menares: bass
Kush Abadey: drums
Recorded May 17 & 18, 2021, at Samurai Hotel Studio, Astoria, NY,
Executive-Producer: Don Was
Produced by Lage Lund
Associate Producer: Robin Tomchin
Recorded by James Farber
Associate Recording Engineer: David Stoller
Assisted by Henry McCall
Mixed by James Farber, assisted by Steven Sacco
Mastered by Mark Wilder
Artwork: Cécile McLorin Salvant
Photography by Eduardo Pavez Goye
Package Design: Tory Davis
Review:
Melissa Aldana’s nuanced and superbly executed 2022 album 12 Stars feels like a new beginning for the tenor saxophonist. Though not her first album, 12 Stars is the Chilean-born improviser’s debut for the storied Blue Note label. The 2013 Thelonious Monk International Jazz Saxophone Competition winner, Aldana has spent much of the last five years earning accolades, including picking up her first Grammy nomination for her 2019 album Visions. Named after the 12 stars pictured on the crown of the tarot card figure The Empress, 12 Stars builds upon that success, showcasing Aldana’s growing maturity as both a soloist and bandleader. Helping Aldana achieve this balance is Norwegian guitarist Lage Lund, who produced the album and collaborated with her on the songs and arrangements. Joining them is pianist Sullivan Fortner (who has distinguished himself as a member of vocalist Cecile McLorin Salvant’s Grammy-winning albums), drummer Kush Abadey, and longtime Aldana bandmate bassist Pablo Menares. Aldana and Lund are a magical team, often playing melodies in tandem. On the opening “Falling,” Lund bathes Aldana in sparkling, otherworldly drones, her warm shooting-star sax refracting off the hull of his alien spaceship guitar. More evocative feelings arise throughout 12 Stars, as on “Emilia,” in which Aldana dreams of her future daughter against Fortner’s warm Rhodes keyboard bed. Equally hypnotic is “The Bluest Eye,” a rippling, modal-sounding piece inspired by the Toni Morrison novel. There’s a warm, cocoon-like quality to Aldana’s compositions as she envelops herself and her audience in shimmering tonal cascades. She’s also mutable, with a tone that’s water pure one minute before rising to a high-pitched squelch the next, à la Wayne Shorter, as on the dreamy, tango-inflected “Intuition.” Even on the vibrantly propulsive “Los Ojos de Chile,” an anthem inspired by the 2019 political turmoil and protests in Chile, Aldana plays with an easy warmth that belies just how athletic and harmonically adept her improvisational skills are. With 12 Stars, Aldana puts all of her colorful sonic and emotional textures on display.
Matt Collar (AllMusic)
